Free: Glorious People’s Summer

I’m not sure if you’re watching Free: Endless Summer, the latest barrage in the endless fight against the malevolent bourgeoisie, but you absolutely need to be if you aren’t. It would be irresponsible of you to be watching anything else … anything suspiciously capitalist … anything about the privatization of music and entertainment perhaps …

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On One’s Perception of Change — in Weebs

So this piece is a little different than my norm, and therefore I worry that it’s painfully self-indulgent and masturbatory. That being said, if nothing else it could act as a kind of primary source document for some of the things contained in it? That’s a question mark because I have no idea. Anyway, my point is, I want to talk about what I’ve noticed about the anime fan zeitgeist in my time within it.

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A Bride’s Story, Vol 1: Living Takes Time

Woo!

& thus I unexpectedly embarked upon a multi-post journey through the volumes of Kaoru Mori’s A Bride’s Story.  If you are unfamiliar with the overall gist, here it is: 19th century clan in central Asia sends girl (Amir) to wed boy (Karluk) from another clan in another town.  Amir is eight years Karluk’s senior, which they both discover the day of their wedding.  Life ensues.

I am so happy that I picked this up.  I looked at the cover (“Hey, cool! Wonder if I could make that dress…”), read the description (“Oooo, struggles with identity!”), & then proceeded to lose myself in the awesomeness (YURTS!)

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On the nature of mystery itself in Hyouka

Well, turns out Hyouka has not one but two posts on the old Super Fani already. I guess I shouldn’t write one of my own then? I mean, that’d be overkill. Except, of course, that Pontifus was wrong. So let’s fix that, shall we?

How was he wrong? Well, in “A Hastily Erected Shrine to Historiography in Hyouka” he claims the show isn’t a mystery, but a slice of life show. Whoops.

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I am the Very Model of a Modern Major Slenderman: Why I Laugh When Playing Slender: The Eight Pages

SLENDERMAN

SLENDERMAN

On Halloween, a small band of us got together with our flashlights & binkies & played Slender: The Eight Pages.  I’d wanted to try it out for a few weeks, & for some reason, it seemed like a fun group game to me.

If you’re not familiar with the game, you begin the game with the admonition, “Collect all 8 pages.”  You’re armed with a flashlight that you need to conserve, & you can walk or run through the map in the dark, which consists mostly of forest & several landmarks & clearings where the pages can be.  You can’t fight or speak.  Once you pick up a page (or enough time has passed), Slenderman will begin to chase you, & with each successive page you collect, his chase will grow more intense.  If he catches you or you look at him too long, you’ll go insane, & it’s game over.  Sounds like the perfect Halloween game for getting scared, right?

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Growing Up in Worlds of Fictional Men

I LIIIIIIVE!!

Yeah, I’ll leave it at that.

Many moons ago, I posted about Cardcaptor Sakura & gender.  Now, I’m back to explore video games & gender.  Why not anime this time, you may ask?  Because, uh…battleaxe.

I’ve been playing video games for most of my life.  While they provided a beautiful escape, they also shaped much of my ideas about what was male & what was female through my adolescence.  Part of the reason for that is I didn’t have many games that even had women in them, much less had a female protagonist.  & not that many games that were made when I was a kid had female protagonists.  I grew up with fictional, pixelated men.

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